Jennifer Castle's first novel, The Beginning of After, was named an American Library Association Best Fiction for Young Adults selection and a Chicago Public Library "Best of the Best" Book. She wrote many unproduced movie and TV scripts before returning to her first love, fiction . . . but she's still hooked on film and the way we can find and tell our stories with images. She lives with her family in New York's Hudson Valley.
What, or who, inspired you to write “The Beginning of After”?
I’m happy to say I’ve never experienced a trauma like the one Laurel does in this book. But I've always been a little obsessed with the idea of "the survivor." You lived while others died. So what do you do with that? How does it color the rest of your life? That's just super-interesting to me. Then, years ago, I met a young woman who had lost most of her family in a terrible accident and was devoting her time to volunteer work. I didn't know her well, but I couldn’t stop thinking about her story. This was also shortly after the terrorist attacks of September 11, 2001, when everyone I knew was sharing this collective grief, trying to find our paths in a reshaped world. So that combination sparked a story idea for me, about a teenage girl who survives one of the worst imaginable traumas -- the loss of her family -- and how she’s now permanently connected to the other "survivor" of the tragedy, her neighbor and former childhood friend.
As the book slowly evolved, it became about other things too. Like how Laurel's grief can never be totally her own; living in a small community and being in high school, she has to get through this trauma with all eyes on her. And how we can create our own families when we need to. The cool thing about working on a book for a long time is that you come across a lot of different points of inspiration along the way, and the story grows with your experience.
What kind of research did you do for this book?
I did a lot of reading about how teens grieve, and also about "survivor guilt." I read a few memoirs by young people who have experienced tragedy on this scale. I picked the brain of a therapist friend who works with people overcoming trauma. I didn't go crazy -- I think there's such a thing as too much research. Beyond that, I just made sure I knew my characters as well as I could, and that I knew how to be true to them in the different ways they cope. When a reader who has dealt with grief as a teen tells me they love the book, that I got it just right, it truly means the world to me.
What would you like people to take away from the experience of reading “The Beginning of After”?
I would love for readers to be able to draw some hope and strength from this book -- whatever kind they need. It may seem overdramatic to write about a girl who loses her entire family at once. But in a way, that's just an extreme metaphor for any type of game-changing event that can happen to us in life -- the ones that draw a line between "before" and "after". Maybe that's a divorce, or a personal injury, or a changed relationship, or a move to another state. Whatever it is and however "truly crappy" it seems, I believe we can survive it. Maybe we can't see it right away, but it might open up fresh opportunities and bring new and surprising people to us.
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